摘要
本文以龚贤积墨艺术风格的特征入手,对其积墨画风进行了理论分析。从龚贤积墨画风对南北两派国画教学产生的迥异影响以及"写意性"向"画意性"渐变的教学特点两方面,重点探讨了该画风对现当代国画教学研究的影响。进而得出结论:龚贤的积墨画风应该很好地应用到国画教学体系当中,使中国山水画呈现出新的面貌。
This article,from the perspective of Gong Xian’s Ji Mo artistic style,makes an analysis of Ji Mo paintings.The influence of Gong Xian on the South and North Chinese paintings teaching and the teaching characters of 'writing image'and 'drawing image'make it possible to discuss the effect of Ji Mo style on the modern Chinese painting teaching and research.Eventually the conclusion is drawn: Gong Xian’s Ji Mo style should be well applied to the traditional Chinese painting teaching system so that Chinese landscape painting presents a new look.
出处
《吉林艺术学院学报》
2013年第3期17-18,共2页
Journal of Jilin University of Arts
关键词
积墨法
国画教学
画意性
Ji Mo style
Chinese painting teaching
drawing image