中国当代三部音乐舞蹈史诗的叙述视角和结构呈现

Narrative Angle and Structure Presence of Chinese Contemporary Three Music Dance Epics

"音乐舞蹈史诗"是中国艺术史上一种综合性艺术体裁,《东方红》、《中国革命之歌》、《复兴之路》这三部作品都采用该艺术形式一展中国风采,着眼于表现历史巨变和三次伟大革命的光辉洗礼。本文主要从三部音乐舞蹈史诗的叙述视角和结构呈现入手,分别分析了《东方红》、《中国革命之歌》、《复兴之路》中的毛泽东的全知视角,以人民、国家为主体的内视角和以小人物为主的综合性视角,还解析了其中的线性结构、散方式结构和以线性结构为主的交响式结构。并在解读艺术与革命的关系中,总结了三部作品在叙述视角和结构呈现的异同,以及在指导社会思想、塑造国家形象上的艺术功能和价值。

'Music dance epic' is a kind of comprehensive art genre.'Oriental Red','Chinese Revolutionary Song',and 'Renewal Road' all use this art form to exhibit Chinese elegant demeanour,focusing on the performance history change and three times of great revolution baptism of glory.This article,from the angle of narration and structure presence,respectively analyzes Mao Zedong's omniscience angle in the three works,the linear structure,bulk mode structure and the symphony structure with the linear as the main one.In the interpretation of the relationship between art and revolution,the article summarizes the similarities and differences of three works in narrative angle and structural presence and the art function and value in directing social thinking and shaping the image of a state.