辰河高腔《目连戏》的艺术形态

The Art Forms of Chen River Pitched"Mulian Play"

辰河高腔《目连戏》是湖南省古老的地方戏剧种之一,其声腔分为高、低、昆、乱四种。辰河高腔《目连戏》演员行当分为生、旦、净、丑、末、外、付、贴八行,有多样的舞台表演形式,在表演形态上具有仪式化特点。由于长期受本地语言、山歌及佛、道音乐的影响,与本地小调、号子相融,唱腔旋律婉转悠扬,常用人声帮腔和唢呐帮腔,表现力丰富。本文从演唱技法、表现手法、音乐程式、流派等方面对辰河高腔《目连戏》进行分析研究,阐释辰河高腔《目连戏》所表现出的艺术形态。

Chen River pitched'Mulian Play'is one of the ancient local operas in Hunan Province.Their tunes are divided into high,low,Queensland,chaotic,etc.Gao Qiang Chen River 'Mulian play'actor line of business is divided into Health,Dan,net,ugly,the end,the pay,posted eight lines,there are a variety of stage performances,performing morphological characteristics of the ritualized.Due to long-term impact of the local language,folk songs and Buddhism,Tao music, blending with the local minor sub melodious vocal,commonly used in the human voice chimed in,and Suona chimed in,it manifests richly and expressively.This article,from the perspectives of singing technique,performance practices,music programs,schools,and other aspects of Chen River Gaoqiang in 'eye even play'analysis,interprets the art form 'Chen River pitched Mulian Play'shows.