摘要
法国思想家鲍德里亚对后现代社会的性质——消费社会的研究,揭示了消费社会的文学艺术变成了纯粹的符号再生产,以大众媒介为手段,消费社会成为一个仿象的"超现实"社会。鲍德里亚提出了非常现实的消费文化的理论问题和人类消费欲望化的现实问题,给我们建构中国特色当代文论提供了一个参照系:当代中国文论应该关注日常生活的消费问题、消费欲望化问题,引导大众文化健康发展,以真正实现日常生活审美化,防止日常生活的欲望化。
The French thinker Baudrillard's research on the character or nature of postmodernism society —— consumer society —— has revealed that art and literature of our consumer society have become pure reproduction of symbols and that a consumer society has become a simulated hyperreal society by means of mass media.In his research he has advanced exceptionally practical theoretical issues concerning consumer culture and very realistic problems about human consumption desire.His research provides a reference framework for us to construct a contemporary literary theory with Chinese characteristics.Our ontemporary literary theory with Chinese features is supposed to pay close attention to daily consumption issues as well as consumption desire problems,and it is expected to guide the healthy development of mass culture so that we may truly realize daily life aesthetics and conquer excessive daily life desires.
出处
《上海师范大学学报(哲学社会科学版)》
CSSCI
北大核心
2010年第2期12-21,共10页
Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)
基金
教育部人文社会科学研究项目"后现代主义思潮与中国当代文论建设"(06JA75011-44015)
关键词
欲望美学
消费社会
符号再生产
仿象
消费文化论
literary theory of desire aesthetics,consumer society,reproduction of symbols,simulacra,theory of consumer culture