摘要
小说《大师和玛格丽特》有三大叙事时空:现实的、历史的、神话的,其中神话时空主要人物魔王撒旦(文中称为沃兰德)是在历史与现实时空之间架起的桥梁,起着至关重要的纽带作用,运用各种艺术手法,通过对有别于圣经意象的魔王形象的塑造,特别是假借他及其随从的莫斯科之行的所作所为,能够揭示作者所要表达的深刻哲理内涵。
The Master anti Margarita,a novel has three narrative space-times(historical,mythical and realis- tic).Beelzebub Satan,the main character in the mythical space-time,is the bridge between historical and realis- tic space-time,which acts the crucial function.Through the performance of Satan's voyage to Moscow,this paper shows us the philosophy connotation that is expressed by the author.
出处
《东北农业大学学报（社会科学版）》
2004年第2期33-34,共2页
Journal of Northeast Agricultural University:Social Science Edition
