摘要
詹姆斯·乔伊斯是在世界范围内引起文化地震的人。世界为他的存在而震惊 ,也为他的成就而喜悦。因为世界是分级的、分圈的和分化的 ,所以 ,有人为他的才华倾倒 ,也有人因为他而头疼。他的作品集严肃诙谐于一体 ,融阳春白雪与下里巴人与一炉。他善于在事物内部挖掘矛盾性 ,从而制造了一系列的喜剧。尽管乔伊斯的时代已经过去 ,但是 ,他的传世作品和他的喜剧艺术仍然有待于深入解读。在解读中 ,越来越多的人将认识到 ,原来他的视角先于全球化理论的产生 。
James Joyce is the novelist who caused the cultural earthquake in the world. The world is shocked by his presence and proud for his achievement. For the world is polarized and divided, so some people worship him while some others are headache because of him. He combines both highbrow solemnness and lowbrow comic sense in his works. By digging into these internal conflicts, he produces a series of comedy. Though Joycean time is gone, but his everlasting works with the medium of comic sense will attract more people because comedy is born plebeian. And more people will see that Joyce picks up the global dimension before the age of global village.
出处
《清华大学学报(哲学社会科学版)》
CSSCI
北大核心
2002年第S1期75-79,共5页
Journal of Tsinghua University(Philosophy and Social Sciences)
关键词
乔伊斯
喜剧观
非官方视角
全球化
Joyce
comic sense
unofficial perspective
global dimension