摘要
陌生化起源于 2 0世纪初的俄国形式主义 ,而“有我之境”和“无我之境”是我国传统文艺理论中的两种审美境界。许多中外诗歌作品从诗歌的特殊角度呈现了二者的关系 ,这无疑也为欣赏东西方诗歌找到了一条共通之路。
Defamiliarization derives from Russian Formalism in the early twentieth century, and 'Youwo''Wuwo' are two aesthetic realms in the traditional art theory of China. Many poetry of home and abroad disclose the connections between the two theories from their special angle, which also provides an access to find out a shared way in appreciating the eastern and western poetry.
出处
《湖南师范大学社会科学学报》
北大核心
2001年第S2期202-204,共3页
Journal of Social Science of Hunan Normal University