摘要
我国古代绘画艺术 ,常常是着眼于如何处理“形”与“神”的关系 ,以达到神形兼备的理想境界。如何将源远流长的“神形兼备 ,不可偏废”[1] (P2 16) 的民族文化传统发扬光大 ,对现今颇有些重形轻神、玩弄技法、疏忽理论的艺术创作倾向来说 ,是一个具有普遍意义的重要课题。
Our ancient Chinese painting art constantly fows on how to deal with the relationship of 'apperance' and 'spirit' for the ideal pursuing of both appearance and spirit of painting.How to develop the long standing Chinese cultural tradition of emphasising on both apperance and spirit in painting is an universally siginificant project for the present art work of stressing apperance and skills or ignoring spirit and theory.
出处
《湖南师范大学社会科学学报》
北大核心
2001年第S2期218-220,共3页
Journal of Social Science of Hunan Normal University
关键词
传神
写形
神形并重
spiritual
paint from apperance
apperance and spirit in painting
