“郑声”辨析

Debate and Analysis of Voice of Zheng

自汉代以后，《诗三百篇》被奉为儒家的经典，但是，经学家们（特别是以来熹为代表的宋儒）却把其中“十五国民”的“郑风”和卫地的“卫、邶、风”与“郑卫之音”混同起来，视为“淫诗”。对这种自相矛盾的说法，长期以来，研究者一直熟视无睹。本文从考察、剖析这个矛盾入手，提出了新的见解，发前人之末发。

Book of Songs was held up as Confucianist classic after Han Dynasty. Contrarily, Voice of Zheng among folk songs of 15 states and also folk songs of Wei and Bei and Yong in land of Wei were consideied as obscene poetry by Confucianists especially those of Song Dynasty represented by Zhu Xi.They mixed de with the actual obscene music of Zheng and Wei. For a long period of time,researchers were indifferent to this self-contradictory war of speaking. Starting from inspection and analysis, of this contradiction, the author advances a new view, with the hope of speaking what the predecessors said nothing.