中国古典绘画表现语言的哲学意味

PHILOSOPHICAL MEANING OF EXPRESSIONAL LANGUAGE OF CHINESE CLASSICAL DRAWING

中国古典绘画的美学思想及理论框架，是在中国古代哲学观念影响下而逐渐发展成熟的。同时，它又是在本民族整体文化诸多因素渗透下所积淀的产物，其超越自然的理念，富于浪漫色彩的表现语言与注重内在精神品质的创作思想，构成了中国传统绘画宏大而深邃的艺术境界。“天人、物我谐一”、“大象无形”、“虚实相生”等哲学的思辨在传统绘画形式上无不打上深刻的烙印。因此，只有加深对中国民族的深层意识、民族精神、文化心理结构的理解，才能站在较高的视点品味中国古典绘画艺术。

Under the influence of Chinese ancient philosophical concepts,the aesthetic idea and theoretical structure of the Chinese drawing grew into maturity.And in the meantime it is also the deposition formed of many factors through infiltration in our nation’s whole culture.The concepts beyond nature,the expressional language full of romantic color and ideas guiding artistic creation that put its emphasis on spiritual quality constitute the great and abstruse artistic state of the traditional Chinese drawing.All forms of the traditional Chinese drawing are branded by philosophical ideas such as“Harmony of Nature and Man”,“Harmony of Things and Me”,“Spirit without Shape”and“The void is just on the other side of the real.” So long as we deepen our understanding of national consciousness,national spirit and cultural psychology structure,we can taste Chinese classical drawings at a higher visual angle.