摘要
苏东坡女性词不仅数量多,且风格多样,既有符合传统词之审美特质的闺情词,又有融主体意识与女性题材为一体的见意词、衬染词等。苏东坡后两类词所抒发的主体情志,所创造的清新高远之词境,是其作品中体现出来的新的审美倾向,在词史上具有承上启下的意义,对宋代词的繁荣产生了深远的影响。
Su Dongpo’s women concerning ci had not only a large number,but a multiple styles,such as Guiqing ci,Jianyi ci and Chenran ci. To express author’s consciousness,that is, to create a profound and refreshed world in ci’s text by using his own noble personality,was a new direction of ci’s writing. This reform largely contributed to ci’s prosperity in the Song dynasty,and therefore had very important values in ci’s history.
出处
《天津大学学报(社会科学版)》
1999年第4期303-306,共4页
Journal of Tianjin University:Social Sciences
关键词
苏东坡
女性词
审美特质
主体意识
Su Dongpo,women concerning ci,aesthetic specialty,subject consciousness