摘要
西晋诗人在现实人生中以儒玄结合、柔顺文明的意识标准来对待自己的内心与外行,对周围的一切,是非模糊,善恶含混,心灵无激荡,思想无波澜。诗人人格的雅化直接导致了西晋诗歌的雅化现象。四言句式的大量复现、诗意的平整古朴,一方面使诗歌技艺精雕细琢,另一方面也使诗歌内容越来越贫乏。
Poets in the Westem Jin Dynasty, dealt with their own innermost being and extemal behaviour byan ideolopcal criterion characteristic of having Confucian ideas and metaphysical speculations combinedinto a gentle and agreeable civility , but when they approached everything else around them, they onlyhad very indistinct views with the good and the evil confused , nothing stirring deep in their hearts, andno waves surging in their thinking. The fact that poet's personality had been incarnated in a betterelegant way directly gave birth to poems which tended to be more and more refined in the Westem JinDynasty. Poems in four-chaiacter lines reappeared in large numbers, their poetic flavour being level,siniple and unsophisticated. As a result, this kind of primitive simplicity led the poets to concentrate allof their attention on how they were to compose poems with gieatest case and precision to the best of theirability, while the content of their poems got poorer and poorer.
出处
《西北师大学报(社会科学版)》
CSSCI
北大核心
1999年第3期12-15,共4页
Journal of Northwest Normal University(Social Sciences)