摘要
主张疏离政治、远离生活的作家理论家中有一种隔膜于世界文化进程的误解,总认为文学与政治、文艺理论与政治之间的密切关系,只是一种“中国特色”;其实,在当今经济与科技高度发达的国度里,健全的理性对政治与文学、政治与文艺理论,依然保持着一种正常的心态和科学的态度。疏离政治的心绪妨碍了贾平凹在进行都市政治文化小说创作时艺术才华的正确、正常的发挥,《废都》中政治批判激情与性的病态狂热的游离,反映了作家还没有把握住心灵化的社会公民的政治态度、信仰和感情。作家只有伴随着政治的进步而进步,真正在政治上具有开放的心态与心智,才可能创作出时代的、史诗式的传世之作来。
Abstract Those writers and literary theorists who propose that literature be isolated from politics and even from ev-eryday life have long since possessed an apprehension that it is only in China that literature is so closely related withpolitics. The truth is that even in the countries of developed economies and technologies literature is still regarded asnon-alientaed from politics. This hostile attitude towards politics has prevented Jia Pingao the writer from lettinghis creative talents play fully in his writings ,when he fails to see that no literary figure is supposed to produce any-thing great without keeping pace with politcs and being open-mind to the polifical reality.
出处
《西南民族大学学报(人文社会科学版)》
CSSCI
北大核心
1999年第3期110-113,共4页
Journal of Southwest Minzu University(Humanities and Social Sciences Edition)