摘要
波德莱尔的《恶之花》深刻地揭示了人与自然的关系,提出了著名的交感论,打破了“真善美”相统一的古典主义美学原则,创立了新的诗歌理论,为象征主义的产生铺平了道路。
Charles Baudelair′s Les Fleurs du mal has founded a new theory of poetry and therewith paved the way for symbolism and thus may berated as a Charter of the rising symbolist movement as this master piece gives a deep-going exposition of the relationship between man and nature, puts forth the well-known theory on correspondences and breaks free from the classical aesthetic principle characterized by the unity of the true, the good and the beautiful
出处
《深圳大学学报(人文社会科学版)》
1998年第4期62-67,共6页
Journal of Shenzhen University:Humanities & Social Sciences
关键词
波德莱尔
《恶之花》
象征主义
交感论
《天鹅》
Charles Baudelair, Les Fleurs du mal,symbolism, theory on correspondences, Le Cygne