摘要
本文从乡土电影创作切入,寻踪八十年代以来中国电影的发展脉络,期间分为四个发展时期:电影价值观念的转变;走向电影艺术自身;面对市场的召唤;形成多元发展格局。以此探讨电影内在规律及电影发展与社会变革等的互动关系,引发对中国电影未来走向的思考。
Through the analysis of the creation of Rustic Film (works with rural themes), the thesis first traces the developmental track of Chinese films since 1979. It then delves into the inherent laws and interaction between the development of films and social changes. Finally it discusses future trends is Chinese films.
出处
《戏剧艺术》
CSSCI
北大核心
1999年第3期63-72,共10页
Theatre Arts