摘要
品第和流别是《诗品》的独特体例,也是钟嵘诗歌美学史观的视角。流别批评的出现,除受到刘歆《七略》影响外,还与当时谱学兴盛有一定关系。通过品第和流别,钟嵘确立了自然真美、风力与丹采相结合、滋味的美学观以及《诗经》、《楚辞》在诗歌史上的重要地位。
Literary ranks and genres are the typical stylistic lay-out in Poetry Ranks (Shipin) and also a unique perspective of Zhong Rong′s history of poetry aesthetics. The emergence of criticism of literary ranks, apart from being influenced by Liu Xin′s Seven Strategies (Qi Lue), is related with the thriving of genealogies at that time. By way of literary ranks and genres, Zhong Rong establishes a concept of aesthetics characterized by the true natural beauty, Combination between style vigor and gracefulness as well as taste, and founds the important positions of the Books of Poetry (Shijing) and the Songs of the South (Chuci) in the history of poetry.
出处
《深圳大学学报(人文社会科学版)》
1999年第2期73-78,共6页
Journal of Shenzhen University:Humanities & Social Sciences
关键词
品第
流别
钟嵘
美学史观
literary rank, genre, Zhong Rong, concept of aesthetics history