摘要
营原道真一生的汉诗创作,经历了占尽“诗臣”风流的仕宦显达时期,初现“诗人”本色的谪守赞岐时期,游移手“诗臣”与“诗人”之间的重返台阁时期以及“诗人”角色最终定位的贬居大宰时期。他能够从众多的“诗臣”中脱颖而出,成为退拔干流俗的真正的“特人”,并进而成为日本平安朝诗坛的冠冕,在很大程度上有赖于其丰富多彩而又曲折多变的生活历程和创作历程。
Guanyuan Daozhen's Chinese poetry creation had experienced several periods: 'the official of poetry' period was full of officials' glorious and influential; the 'poet' period had begun to demonstrate the true characters of poet; the between period of 'the official of poetry'and 'poet' showed some retreating characters of officials; and the finally fully played the poet role's period. The reason that he could turn himself from an 'official of poetry' to a real 'poet' was because to a grcat degree his life experiences and creative experiences, which were rich and varicd, full of changes.
出处
《吉林大学社会科学学报》
CSSCI
北大核心
1998年第5期76-82,95,共8页
Jilin University Journal Social Sciences Edition