摘要
关汉卿是中国古代文学史上最杰出的戏剧家,由于所处社会时代的特殊性,他的名、字、号在曲学文献著录中一直含混不清。近半个世纪以来,前辈时贤裒散辑佚,洞微烛幽,对这一问题的发掘探究已取得了不少的成果和长足的进步。但关氏之名在未发现坚实的材料之前,尚不宜轻易下结论;关氏之字、号蕴含着中国古代文人命名的传统习惯和他个人特定的心理沉积,是一个貌似简单实则复杂的文化现象。澄清它,对更深入地理解他的创作主旨及其思想底蕴具有重要的作用。
Guan Hanqing was one of the most outstanding dramaists in the ancient liteng history of China.But because of the particularity of his age, there has ever been a confusion of his name, courtesy name and literary name in the study of the Qu literature. Over half of the century, schoars of the elder generation have taken great pains to find and collect scattered and lost materials which are relevant, and in this respect, they have come a long way in their explorations and studies, However, no easy conclusion shoud be whved at befere sound evidence arises.The reason is that Guan's courtesy name and literdry name entail the convention by which ancient Chinese people gave nams to individuals, and the his own psychological deposit.
出处
《西北师大学报(社会科学版)》
CSSCI
北大核心
1998年第6期22-26,104,共6页
Journal of Northwest Normal University(Social Sciences)