美学思维的历史意识

The Historical Consciousness of Aesthetic Thinking

中国当代美学课题的提出，应以中国美学的历史发展为依据，特别应以密切关系着当代现实人生的２０世纪美学的运行为依据。就中国美学的现代发展而论，要真正理解它所呈现的复杂现象，则必须进入动态的历史研究。在方法论上，遵循辩证逻辑的要求，强调历史和逻辑的统一、从抽象上升到具体的原则。在研究过程中尤其要注意中国现代美学的逻辑起点、两极对立的基本格局、古代审美理想的制动作用、诗化美学传统的历史更新、开辟认知再现的新领域、美学历史凝结为逻辑范畴等问题。在对以上研究课题总体把握，即从历史上升到理论的基础上，还要从相反的思路，亦即从理论照应历史的思路出发，提出当代美学建构的种种设想，诸如“人性结构双重涵义”理论、古代审美意识的两个基本规定、古代审美方式的特性、“人性结构主体化”理论、人性结构主体化进程的分裂、恶扩张与丑增加、美的历史形态转换、现象化再现与抽象化表现、“审美错位”理论，等等。要强调通过概念、范畴的逻辑推演。

Abstract It is necessary for us to get into dynamic historical study to truly understand numerous and complicated phenomena presenting in the process of contemporary development of Chinese aesthetics.In methodology,to such problems as follows attention should be paid:compling with the rules of dialectical logic,laying stress on the integration history with logic,insisting on the principle of distilling abstraction from concrete.In the research course we should lay great stress on such problems as follows:the logical starting point of Chinese contemporary aesthetics,the fundamental set up of which divided into two opposing extremes,controlling and impelling functions performed by ancient aesthetic ideal,historically renewal of tradition of poetized aesthetics,the development of new field of cognitive reproduction,the categories of logic which are distilled from aesthetic history and so on.Furthermore,on the basis of holding subjects above as a whole,namely abstracting theory from concrete history,it is also necessary for us to start from opposite train of thought that correlate history with theory,and put forward a variety of assumptions of constructing contempoary aesthetics:such as the theory of dual meaning of human nature construct,two essential rules of ancient aesthetic consciousness,the speciality of ancient aesthetic pattern,the theory of subjectized human nature construct,vices expansion and ugliness increase,the transformation of beautifuls historical formation,phenomenal reproduction and abstract expression,the theory of aesthetic misplacement and so on.These are theoretical ways to reveal the historical connotation of Chinese aesthetics.