摘要
冯至与里尔克同为内省型精神气质的诗人，后期创作方向同为主知型诗。冯至《十四行集》中体现的形而上玄思的诗歌风格、客观化的感知方式、雕刻一般简约的语言及十四行诗体，都存在对里尔克的师承关系。中国迄今为止没有第二位诗人像冯至那样深得里尔克的诗艺精髓。
AbstractBoth Fengzhi and Rainer Maria Rilke are poets with the temperament of introspection. The metaphysical style, the objective mode of perception, the concise language and the form of sonnet embodied in Fengzhi's Collection of Sonnets show us the succession relation to Rainer Maria Rilke. No poet except Feng in China understands Rainer Maria Rilke's poetic essence and makes some creative progress.
出处
《陕西师范大学学报（哲学社会科学版）》
CSSCI
北大核心
1998年第2期104-109,176,共7页
Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)
