摘要
初唐游仙诗在崇道的文化背景下萌生,主要特征是对魏晋时期建立的仙道对应关系的确认与发展;李白游仙诗建立在诗人独特的“谪仙”意识基础上,同时反映了诗人的政治遭际,艺术上具有幻中有真的独特魅力;中唐游仙诗折射出时代的悲怆和激愤情绪;曹唐在小游仙诗中贯彻了仙境人间化的原则。
Abstract The appearance of roving immortal poems in the early Tang times had a cultural background that the Taoism was exalted in the society. They were characterized with recognition of the corresponding relationship between the immortal and Taoism, which was set up in the period of Wei and Jin. The roving immortal poems written by Li Bai was based on the unique consciousness of “an immortal banished from Heaven ” and reflected the personal political lot. In the middle Tang they expressed the grief and indignation of the times. On the principle of secularization of the fairyland, Cao Tang’s poems were an agglomeration of those before him.
出处
《陕西师范大学学报(哲学社会科学版)》
CSSCI
北大核心
1998年第3期102-108,177,共8页
Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)