摘要
刘勰在《文心雕龙》中阐述的有关意象的美学思想,上承《周易》的“象”论;将“意象”凝定为一个稳定的审美范畴,并深入地、多角度地论述了意象的物化过程。刘勰所谓的“意象”,包括“声文”、“形文”两个维度的内涵,这是具有重要理论意义的。刘勰还将“比”、“兴”与意象联系起来,作为意象的不同创作方法。
Liu Xie set forth the idea of aesthetic image in his book Wen Xin Diao Long, which condensed the 'image ' into a stable aesthetic category following Zhou Yi's 'image discussion',and gave a deeply, manifold discussion about the materialization process of image. Liu Xie's idea of image includes' vocal' and ' figured' two-dimensional concotations which has theoretic significance. He also related image with'comparison' and 'making',as the different creative method of image.
出处
《吉林大学社会科学学报》
CSSCI
北大核心
1997年第1期19-25,93,共8页
Jilin University Journal Social Sciences Edition