先秦辞赋发微

Diquisitions about the Pre Qin Dynasty Poetry and Prose

先秦辞赋并非如前人所述是辞赋的萌芽期。它结合了诗、文的特征走向完善与成熟，并具备了三大类赋体格式：以《赋篇》为代表，已露诗体赋之端倪；以《离骚》、《九章》（《桔颂》除外）为代表的骚，于抒情言志、哀怨讽谏与诗无异，而其句式、结构、韵式等与汉骚体赋一致，因而身兼诗、赋双重特质；而《高唐》、《神女》开散体赋之先河。同时，在此之前，《卜居》、《渔父》、“二招”等作品，初具赋体特征，称之为“准赋”

Poetry and prose of the Pre Qin Dynasty are not what has been described by forerunners as the products in their beginperiod.They absorb features of both poetry and prose,and grow into maturity and perfection,thus fu(descriptive prose interspersed with verse)falling into three major patterns:“A Piece of Fu”as its typical example,already having the primary form;“lisao”(Thought and Grief at Separation)and “Nine Chapters”(with)“Ode to Oranges”excluded),as its representative instance,with almost nothing different from the style of the Han fu(Fu of the Han Dynasty)in terms of expressing emotions,making statements,and giving advice by virtue of lamentable parables,thus being in possession of dual characteristics of poetry and prose;“Gaotang”(Tang his Majesty)and “Goddess”,being the source of prose fu.In addition,before this works such as“Choosing a Living Site”,“A Fisherman”and “Two cakks fir Return”,are beginning ones of prose fu that are characteristic of the fu styple,and because of this,may by called“para fu”.