王蒙小说的现代散文化抒情血脉

On the Modern Prosaic Lyricism in Wang Mong's Novels

王蒙不仅坚持着鲁迅所开拓的现代散文化抒情小说的现实主义道路，而且还继承了鲁迅的现代文化观念，十分讲究风格和表现形式的多样性。郁达夫对自己“感情强烈”、“自叙色彩浓郁”的小说怀有激赏之情，但他终于没有在自己身边停留下来。王蒙也没有在“八千里”、“三十年”中止步，他追求更广阔的现实世界，描绘出不少贴近现实人生的美好图画。写小说“很像古代陶潜、李商隐写诗”的废名，他与众不同的小说风格，经过时间的淘洗和过滤，在王蒙身上终于扎下了根并得到独特的发展。如果说废名与王蒙的创作主要是小同中有大异的话。

Not only does Mr Wang Mong stick to the modern prosaic lyricism started by Lu Xun in his realistic novel writing, but also he succeeds Lus idea of modern culture,laying great importance on the diversity of style and expression. Mr Yu Dafu once boasted of the “emotion” and “autobiography” characterizing his works, but luckily in the end he went further than simply achieving that. Likewise Wang Mong goes farther than “Eight Thousand Li” and “Thirty Years” in his pursuit of a broader literary world and a more realistic description of daily life.