大江健三郎的森林意识

Oekensaburos Forest Consciousness

大江健三郎是１９９４年荣获诺贝尔文学奖的日本作家。他的森林意识，表现了他创作的独有个性。本文从三个方面来论述：其一，他的森林意识的形成与他生活的经历与时代条件有关；其二，他的森林意识的创作实践，体现了作者对当代日本社会的一种认知方式；其三，他的森林意识作为独特思维的宇宙，形成了文学创作中的三种特征。

Abstract Oekensaburo is the Japanese writer who won the Nobel Prize for Literature in 1994.This article deals with the three aspects of his forest consciousness,which manifests his unique creative individuality:(1)his life experiences and the times he lives in,which result in his formulation of the forest consciousness;(2)his forest consciousness reflected in his creative activities——a new way of knowledge of the then Japanese society;and(3)the specific aesthetic value of his forest consciousness——a unique cosmic thinking——as a literary creative form.c1On the Ming Dynasty Version of the Text of Chaozhou Opera Golden Hairpin of Liu Xibi$$$$ Wu Guoqin Abstract The text of Golden Hairpin of Liu Xibi unearthed in Chaozhou,Guangdong Province,used to be staged during the reign of Xuande(1426-1435) of the Ming Dynasty.The theme of this opera is to eulogize the protagonist Liu Xibi's loyalty to the emperor and filial piety to his parents and his indomitable spirit.The characters “Zheng Zi”(correct words) in the title of the text actually means “standard Chaozhou pronunciation,” that is,to speak as reading aloud,the style of which is different from the local accent.With examples of typical scenery,local customs and colloquial expressions peculiar to the Chaozhou area,the present paper proves that this is the first text of Chaozhou opera in the history of Chinese drama.