摘要
汉墓建筑及画像石艺术中，有许多建制雄伟的“阙”。本文认为，汉阙非独为汉代建筑艺术的形式，更重要的还在于，它是早期道教所追求的仙界的象征符号和人仙两界交通的神学媒介。
Abstract Quite a lot of images of magnificent imperial palaces Que of the Han Dynasty have been found in the Han tombs and stone carvings.This paper holds that the Que is not only a kind of art of the time,but also a symbolic intermediary between the human world and the immortal one which the early Taoists want to enter eagerly.
出处
《中山大学学报（社会科学版）》
CSSCI
北大核心
1997年第1期61-66,共6页
Journal of Sun Yat-sen University(Social Science Edition)
