摘要
本文从多种角度来考察清季宋诗运动的理论意义,由此探寻古典诗学重要特征。认为,宋诗运动选择了富有变化的活性的宋诗诗艺体系既是古典诗学的更新,又是古典诗学的凝聚。其诗论深濡封建义理诗教,操握古典诗艺法式;追求脱俗人格,表现诗美本色;顺应诗歌的表现惯例,又力求诗艺的通变创新;学古以丰富养份,读书以修炼诗式,建构起“学人之言与诗人之言合”的理论框架,体现了集人品与艺品、才情与学理、唐诗与宋诗、诗歌与散文为一体的美学意趣。
Through the analysis of the Movement to Revive the Song Poetry in the Qing Dynasty in various perspectives,this paper tries to find out the features of the theory of Chinese classical poetry reflected in this movement.It maintains that the Movement has adopted the flexible and lively poetic system of the Song poetry and that its theory is a renewal as well as a condensation of Chinese classical poetics,which is saturated with feudal moral principles on poetry and handled with the classical poetic paradigm.it aims at the refined personality,expresses the nature of poetic beauty,follows the norm of poetic composition and at the same time tries to be experimental and creative.It advocates“Learn from the past to enrich oneself;read to improve the expressive ability in composing poems,”and constructs the theoretical pattern of“combining the verses of the scholar with those of the poet.”It also displays the aesthetic charm of uniting personal character with artistic style,inspiration with scholarship,the Tang poetic style with the Song poetic style,and verse with prose.
出处
《中山大学学报(社会科学版)》
CSSCI
北大核心
1997年第1期95-102,共8页
Journal of Sun Yat-sen University(Social Science Edition)