摘要
八十年代,我国话剧写实主义导演艺术一统天下的局面被打破,至九十年代,出现了写实主义导演艺术创作模式的大面积回归。其间原因,有待我们深入探讨。
In the 1980' s, the monopoly of realistic direction on modern Chinese drama was broken. However, the creative mode of realistic direction has been coming back to the stage to a great extent in the 1990' s. The whys and wherefores of the phenomenon are worth consideration and research.
出处
《戏剧艺术》
CSSCI
北大核心
1997年第2期21-28,共8页
Theatre Arts