摘要
本文从历史文化的震荡及艺术审美观念之嬗变的角度,对八十年代初以来,中国大陆、台湾“新电影”二度潮汐的文化足迹,作出了基本的描述和比较。
From the points of view of the accumulative culture shakeups and aesthetic conception transmutation, the paper presents a summary account and comparision of the two boorns of New Films produced in China's mainland, Taiwan and Hong Kong from the early 1980's.
出处
《戏剧艺术》
CSSCI
北大核心
1997年第3期4-19,共16页
Theatre Arts