布莱希特戏剧的内在矛盾及其反思

A Critical Review of the Inner Contradictions of Brecht’s Theater

文章就布莱希特叙事剧的基本特点,分析了布氏间离效果这一戏剧构成方式的内在矛盾和局限,指出其介于自然主义和荒诞派之间的两种戏剧逻辑——写实与非写实的“中间”特征。

On the basis of the essential features for Brecht' s epic theater, this thesis analyses the inner contradictions and limitations of alienation effect as dramatic formation, and points out that the dramatic formation has intermediate characteristics between the representational theatrical logic of naturalism and the presentational theatrical logic of absurdism.