摘要
罗贯中写《三国演义》之后,历史上的赤壁之战及其人物就面目全非。本文论述了梁信的电影文学剧本《赤壁之战》还历史本来面目的创作思想和人物塑造等方面的艺术特色,高度肯定了梁信电影剧作的思想和艺术成就。
'Chibi Campaign' was a great campaign in the history of China. However, since the appearance of 'The Romance of Three Kingdoms' written by Luo Guangzhong, the Campaign waged in Chibi and many of its characters involved, as were spread far and wide among the people, have been distorted beyond recognition. The essay is an effort to elaborate on Liang Xing's cineplay 'Chibi Campaign' from such angles as the creation of historical play, the momentum of the play, and the character-depiction, with a view to highlighting its artistic features and achievement. At the same time. the play is also examined in a general way in the context of, the whole repertoire of the playwright.
出处
《深圳大学学报(人文社会科学版)》
1986年第2期16-24,共9页
Journal of Shenzhen University:Humanities & Social Sciences