摘要
客观地从不同角度评价了嵇康的“声无哀乐论”的音乐美学主张,探讨了其美学思想的进步性和局限性。
The article abjectively Ji Kang's theory of music without Happiness and sadness, in every respect, then recognize the advantanges and limits of his musical aesthetics.
出处
《北京工业大学学报（社会科学版）》
2003年第S1期79-80,共2页
Journal of Beijing University of Technology (Social Sciences Edition)
关键词
嵇康
声无哀乐论
音乐与情感
Ji Kang
musical theory
music and emotions
