摘要
在中国古典曲论对史学意识有着多方面认同的语境中 ,戏、史等同的观念经过“史曲观”的激活与催化 ,形成了“曲史观”。古典史剧理论中的曲史观念 ,大致经历了从不自觉到自觉的渐次明朗的演进过程 ,最终获得了艺术批评的独立意义 。
The iden that drama and history are equal formed the idea of drama being history by activating and catalyzing the idea of history being drama in the same time that the theory of Chinese ancient historical dramas identified with historiography consciousness.The idea of drama being history in the theory of Chinese ancient historical dramas approximately came through the advance from unconsciousness to consciousness,and gained independent signification of art criticism finally.
出处
《戏剧(中央戏剧学院学报)》
CSSCI
北大核心
2002年第4期126-134,共9页
Drama:The Journal of the Central Academy of Drama
基金
南京师范大学青年科学基金项目 (1110 10A181)