“闽习”与“闽派”之辨

The Dinstinctions between Ming Xi and Ming Pai

明清之际，中国绘画批评史上曾有过“闽才”与“闽派”的提法。本文通过文献与史实的相互参证，认为“闽习”是福建绘画的泛传统，“闽派”是黄慎之后的一个地方流派；并对“闽习”和“闽派”的文化特征给予界说，探讨“闽派”问题为什么在中国绘画批评史上没有引起足够注意的原因。

During Ming and Qing dynasty,the terms,Min xi(闽习)and Min pai(闽派),were once employed in the history of painting criticism.Through intertextuality of literature and historic facts,this thesis concludes that Min Xi referred to the general tradition of Fujian painting:while Min Pai recultural features of the two terms and points out the reason why Min Pai had not aroused enougy attention in the history of Chinesse painting criticism.