摘要
In the light of archaeological typology, this paper makes a comparative studies on the main incised symbols of twelve Liangzhu jades. It suggests that the first group, including those on jade bi-disk from Ansi in Yuhang county, No’ 2 bi-disk ofthe Freer Gallery of Art etc. portrayed the ritual temple of the Liangzhu Culture. The second group, represented by the nineteen jionts cong-tube stored in the Museum of Chinese History are believed to be the symbols of the sun and the moon. The third group, represented by the No. 1 bi-disk of the Freer Gallery of Art, reflect the mixture of the two different motifs. The author still explores the relative chronology of those jades.
In the light of archaeological typology, this paper makes a comparative studies on the main incised symbols of twelve Liangzhu jades. It suggests that the first group, including those on jade bi-disk from Ansi in Yuhang county, No' 2 bi-disk ofthe Freer Gallery of Art etc. portrayed the ritual temple of the Liangzhu Culture. The second group, represented by the nineteen jionts cong-tube stored in the Museum of Chinese History are believed to be the symbols of the sun and the moon. The third group, represented by the No. 1 bi-disk of the Freer Gallery of Art, reflect the mixture of the two different motifs. The author still explores the relative chronology of those jades.
出处
《华夏考古》
1997年第3期41-47,60,共8页
Huaxia Archaeology
