摘要
至今为止,新写实主义这个概念的使用尚停留在约定俗成的水准上。新写实主义的代表作家,除了池莉、方方、刘震云等少数公认的几位以外,各个理论家都根据自己的理解和需要,大有乱点鸳鸯谱之势。对新写实主义的理论概括更趋混乱和驳杂,似乎自1985年新写实主义冒头以来,所有传统的现实主义所无法概括。
Neo-realism carries with it all the genetic codes of the literary thoughts of the new period, yet its essential feature lies in the wonderful affinity with Heidegger's ontological humanism, i. e. the exposure of authentic existence. It reflects a modern complex which is like traditional realism in appearance yet is different from it in essence and which has nothing to do with the postmodern mood either. Neo-realism is a transitional form of literature, whose charm lies in the reader's receptive response; nevertheless it will by no means add to the reader's reading experience.To some extent, the booming neo-realist vogue is merely a false prosperity.
出处
《北京大学学报(哲学社会科学版)》
CSSCI
北大核心
1992年第4期67-72,130,共7页
Journal of Peking University(Philosophy and Social Sciences)