论《呐喊》、《彷徨》中的回溯性小说

The Retrospective Fictions in Calls to Arms and Wandering

《呐喊》、《彷徨》中的回溯性小说在所呈现回忆的风格上有所差异:《呐喊》中的回忆偏重抒情,《彷徨》中的回忆理性色彩则要浓厚得多。而无论哪一种风格的回忆呈现,其意义往往在小说文本提供的当下语境中被搁置或消解。从《呐喊》中痛苦到要去忘却的回忆,到《彷徨》更加决绝地契入回忆,这个过程体现了鲁迅抗争宿命的艰苦卓绝与生命主体意识的强大,而伴随着这一切的却是作家心灵的另外一面:无奈与绝望。鲁迅正是在这生命的两极状态的激烈对撞中执着前行。

There are some different styles in memories between Na Han(Calls to Arms)and Pang Huang(Wandering).The memories in the former emphasize emotional outpouring and those in the latter rationality.But the significance has been shelved or digested no matter which type of memories they are.From the painful memories that the writer wants to forget in Calls to Arms to accessing to memories resolutely in Wandering,this process reflects Lu Xun’s arduous struggle against the predestination,and the mightiness of life subject consciousness.On the other hand,they present the writer’s helplessness and despair.It is in the fierce collision between the two poles of life that Lu Xun moves ahead persistently.