张惠言学术传承与赋学思想——以《七十家赋钞目录序》为中心

Zhang Hui-yan's Academic Inheritance and His Theory of Fu Based on the Preface of Selected Works of Fu from 70 Writers

《七十家赋钞目录序》不仅体现了张惠言赋学的主要思想,而且序文本身就是一篇清代学者骈文的代表作。张惠言提出了赋"统乎志"的观点,即强调辞赋的比兴寄托,是对赋学理论的发展。其继承《汉书·艺文志》推源溯流的学术传统,在序文中对22家赋进行评述,是一篇重要的赋学批评文献。另外,这篇骈体序文在写作手法上亦模仿《汉志》与《庄子》,显现了清代常州学者融合骈散的骈文创作理念。

The preface of Selected Works of Fu from 70 Writers embodies the main ideas of Zhang Hui-yan’s theory of Fu and the preface itself is a maser piece of the scholars’parallel prose in the Qing Dynas-ty.Zhang stressed the use of metaphor in writing Fu-prose,which develops the theory of Fu.Zhang also made comments on 22 writers,which makes the preface an important critical literature in the theory of Fu. Besides,in the wring style,the preface simulated Book of Han and Zhuangzi,which shows the scholars’ writing ideas of integrating parallel and non-parallel prose in Changzhou of the Qing Dynasty.