宋代山水画中的“笔墨”与“丘壑”关系问题浅探

The relationship of "ink" and "gully" in Song Dynasty landscape painting

本文以宋代山水画本体为考察对象,从与山水画表现休戚相关的"笔墨"与"丘壑"两方面展开论述,探求宋山水画的笔墨特点及与山川造型的结合,从而阐明宋山水画是作为主体意识显现的"笔墨"与客观物象("丘壑")的高度统一。

Based on ontology of Song Dynasty landscape painting as the object of study,discusses from two aspects of "ink" and "gully" of landscape painting,combines with the characteristics of ink of Song landscape painting and landscape modeling,in order to clarify the unity of "ink" and "gully" in Song Dynasty landscape painting.