唐诗语言学批评研究的两个基点

Two Basic Points for Studies on the Tang Dynasty Poetry from the Perspective of Linguistic Criticism

立足于近体诗的两大基本特征——语词构建与意象呈现,也就确立了唐诗语言学批评研究的标准:即诗歌的优劣与否,取决于诗歌"语词建构"的艺术表现能力和诗中以"语词建构"为表现形式的"意象"能否"呈现"令人感发的、深厚的文化情感。这种语言学批评研究的意义在于:摆脱了传统诗论中"印象批评"的主观模糊体验,也超越了笼统的"背景批评"的历史藩篱,将诗歌作为个人感受与体验的"主观文本"或依赖时代背景支撑的"历史文本",还原为立足文学本位、自给自足的、客观的"文学文本"。

Studies have shown that the Tang Dynasty style of poetry,as a representative of Chinese classical poetry, shares two basic characteristics: poetic "construction of words"and cultural "image rendering". Based on these two basic characteristics,the criterion regarding the research on Tang poetry from the perspective of linguistic criticism can be established. As a new form of poetic criticism,linguistic criticism-fuelled research on the Tang poetry,differ- ent from previous research from the perspective of"pure academic linguistics",sheds light on the artistic performance ability of poetic "construction of words"and the expression of profound "imagery"and deep cultural sentiments.