宗法制度下女性的悲剧存在——论《大红灯笼高高挂》的意象美学暗示

Tragedy Existence of Women Under Patriarchal Clan System——Theory suggests "raise the red lantern" imagery Aesthetics

张艺谋的很多影片都是从中国的文化意识形态出发,以各种带有暗示性、寓意性的形象构建出一种朴素的中国传统文化风范,具有本土化、民族化的符号。本文即以影片《大红灯笼高高挂》为载体,从具有代表性的形象和元素着手,探讨其以不同形式和状态的异样呈现,分析其在电影美学上的暗示,从而揭示影片中女性的独悲剧。

Most of the movies directed by director Zhang Yimou are from China’s cultural ideology,and With various suggestive,implication of the image to construct a simple Chinese traditional culture,With the localization,nationalization of the symbol.Based on the film "raise the red lantern" as the carrier,Researching the representative images from the film and elements is to explore its different f orms and strange states presented on film aesthetics implied,reveals the unique tragedy existence of female in the film.