摘要
“气”是中国古代美学、艺术理论使用最广的范畴之一。它在由哲学范畴向美学范畴的转化过程中，其审美的心理内涵和艺术内涵越来越丰富，它以宇宙生命为依归的万物一体观孕育了中国古代审美意识的生命精神，甚至构成了以“气”为内在逻辑的审美心理体系。
i is one of the most widely used categories in ancient Chinese aesthetics and art theory. In its transition from a philosophical catetgory to an aesthetic one, its psychological and artistic connotations as an aesthetic concept become richer and richer. Its conception of the unity of all things of creation, resting upon cosmic life as its support, gives birth to the life spirit of ancient China's aesthetic consciousness and constitutes a system of aesthetic psychology with Qi as its inner logic, exerting great influence on aesthetic theory and artistic creation.
出处
《北京大学学报（哲学社会科学版）》
CSSCI
北大核心
1997年第6期53-59,154,共8页
Journal of Peking University(Philosophy and Social Sciences)
