音系组织的语篇特征

Textual Feature of Phonological Organisation

人们历来把音系看作是语音系统的最高层次,但近年一系列研究成果表明音系的合理组织具有语篇特征。倘若此假设成立,那么英国语言学家M.Hoey(1991)在Hauiday(1961以来)基础上发展而来的语言图就应重新审视。亦即,语言(以语篇为代表)是一个具有音系组织、句法组织和语篇语义结构的三维体。为此,本文通过分析汉语名篇《滕王阁序》的音系组织——以‘对偶’为手段的各种平仄组织方式,发现‘对偶单位’的内部组织及相互间的音韵衔接方式的确具有语篇特征。这为我们另文建立三维语模图奠定了基础。

Recent developments in linguistics imply that phonologyical organisation, as syntactic organisationsdo. has a textual feature too. That is what the present paper attempts to convince. The auther. by virtue of a specific analysis of Preface to Tengwangge Poem, a famous Chinese prose, first investigates the types of the internal organisations (ways of Pinze structuring) by a Chinese rhetoric style----Duiou (Antithesis), then looks into the external means serving to organise each pair of the Duiou Units as rhythmically cohesive, and the repetitive switches of long-short tone groups, which manifests an aesthetic effect avoiding, in another respect, the possible dullness tone groups of the same length would arise. The above observation displays a three-dimensional linguistic model (based on Halliday and Hoey) which will be elsewhere set up.