发愤抒情论的中西比较谈

A Comparative Study of Chinese and Western Determined Lyrics

发愤抒情论，源自屈子，中西攸同。通观中西发愤抒情说和忧郁造艺说的整体流变，在意义选择和理论价值上，主要表现于艺术动力机制和创作心理机制两个维面。作为情感表现理论，两者都把情感作为艺术的本质特征。在表现方法上，有同有异，但以异为主导。中国的表情法理论发展是沉滞而无序的，古典色彩较浓；西方则是深入递进的，现代性色彩较浓，能够通过形式创造摆脱压抑而成为自由积极的惰感，促进人类情感的不断自我解放。

The determined lyrics, which started from on Zi, has the same characters in Chinaas well as in the West. In terms of the meaning choices and the theoretic values, theyshow in two aspects: the artic motivational mechanism and the creative psychologicalmechanism. As a theory of expressing feelings, Chinese and Western determined lyricsall take feelings as the basic feature of arts. But in the methods, there are many differences between Chinese and Western theories, with the former more classic and more disorderly and the latter more modern and more orderly which can get rid of the depressingfeelings and become the freely active feelings and promote the feeling expression of human beings.