摘要
1973年在陕西三原焦村发掘了贞观五年(631年)唐淮安靖王李寿墓。此墓总长44.4米,有长斜坡墓道,5个天井,装石门的甬道和长3.8、宽3.95、深10.5米的墓室。室内西侧出土石椁一具,外观呈面阔三间的歇山顶殿堂形,通高2.2、底长3.55、宽1.85米。西安地区的唐代大墓中常置石椁,如懿德太子、永泰公主、韦顼、韦洞、杨思勖等墓中的石椁还饰以精美的雕刻。但李寿石椁不仅时代早,而且刻的内容特别丰富,并带有写实意味,不像其他石椁之刻纹往往偏重装饰性。此石椁外壁施浅浮雕。
The palatial stone coffin found in tomb of Li Shou,an early Tang noble,can be construed almost literally as his residence moved to this afterworld. The paintings engraved on it is an amazement, as it exhibits a really rich content :enuches and maidens, mucicians and dancers, all busy serving their lord in different ways. In this article, the author discusses sevnteen objects for daily use held by six rows of maidens shown in the picture,with special regards to their functions and evolution. These utensils are noted not only for their wide range of uses, but for their elegant shapes. Apart from some imported from foreign lands,those domestic ones are definitely new inventions. Several of these palace rarae aves anteced their popular versions by centuries. The paintings provide us with an exellent peep into the life of the early Tang aristocracy.
出处
《文物》
CSSCI
北大核心
1996年第5期33-49,共17页
Cultural Relics
