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从纳维妮亚看奥尼尔的悲剧意识──分析奥尼尔的剧作《悲悼》 被引量:4

O'Neil's Tragic Vision Embodied in Lavinia: On Mourning Becomes Electra
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摘要 奥尼尔把自己的所有剧作看成是他在“荒野中的探索和呐喊”。作者在荒野中的探索和呐喊,在本剧中表现为女主入公纳维妮亚(Lavinia)在黑夜中对命运的反抗。纳维妮亚在剧终的选择不仅表现了她面对现实的胆量,而更重要的是她对命运的反抗精神,彻底清除孟南家族罪恶的决心和她的自我牺牲精神。她的最后选择不仅包含着本剧的悲剧意义,且反映了奥尼尔的悲剧意识:人的伟大在于明知同命运搏斗,结局必败,但仍不放弃同它斗争。 Abstract O'Neill considered all his plays as ' a search and cry in the wilderness!' O' Neill's search and cry in the wilderness is dramatized in that of Lavinia in the darkness. Lavinia's Final choice symbolizes not only her courage to confront the reality, but also her heroic struggle against the fate of her family, her resolution to eliminate the evils in the Mannon house and her self-sacrifice. In Lavinia's final choice lies the tragic depth of the play and, moreover, O'Neill's philosophy of tragedy: The greatness of man is embodied in his persistent struggle against fate with the awareness of a doomed defeat.
作者 杨彦恒
出处 《中山大学学报(社会科学版)》 CSSCI 1996年第1期108-114,共7页 Journal of Sun Yat-sen University(Social Science Edition)
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同被引文献19

  • 1弗吉尼亚·弗洛伊德.尤金·奥尼尔的剧本[M].陈良廷,译.上海:上海译文出版社,1993.
  • 2尤金·奥尼尔评论集[C].裴粹民,译.上海:上海外语教育出版社,1988.
  • 3美国作家论文学[M].刘保瑞,译.北京:三联书店,1984.
  • 4朱栋霖,刘海平.中美文化在戏剧中的交流[M].南京:南京大学出版社,1988.
  • 5尤金·奥尼尔.天边外[M].汪义群,译.桂林:漓江出版社,1992.
  • 6特里西诺.诗学[M].转引自:程孟辉.西方悲剧学说史[M].北京:中国人民大学出版社,1994.
  • 7亚里斯多德.诗学[M].陈中梅,译.北京:中国商务出版社,2005.
  • 8龙文佩.奥尼尔戏剧理论选译[G].裴粹民,译.北京:中国戏剧出版社,1988.
  • 9Rubinstein,Annette.American Literature Root and Flower[M].Beijing:Beijing Foreign Language Teaching and Research Press,1988.
  • 10毛信德.诺贝尔文学奖颁奖演说集[C].南昌:百花洲文艺出版社,1993.

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