象征王国的构建与幻灭──试论穆木天前期的美学思想

The Construction and Disillusionment of the Symbolic Kingdom: A Tentative Analysis of Mu Mutian's Aesthetic Values in His Early Years

本文论述了穆木天前期美学思想的特质，即“写实的象征主义”美学体系中种种深刻的矛盾统—关系．“纯粹诗歌”理论是其美学核心；“交响”论、“暗示能”是其艺术表现；“写实”论是其哲学渊源．

Abstract This paper analyzes the characteristics of Mu Mutian's aesthetic values in his early years, namely, his deep insight into the unity of opposites as embobied in his 'realistic symbolism'. The theory of 'pure poetry' is the core of his aesthetics. It stresses the priority of suggestion and evocation over direct description and explicit analogy. Towards the end of this period, the realistic thinking brings about a change in Mu Mutian's symbolic aesthetics. The change is based on his philosophic refletion.