从自救到自立──重评丁玲小说中的年轻女性

From Self-Salvation to Selfsupport──More on young women's figures in Ding Ling's fiction

丁玲小说中最具艺术魁力的是一群反复出现的年轻女性。从１９２７年发表的处女作《梦坷》中的梦柯，到１９７９年发表的《杜晚香》中的杜晚香，组成了多姿多彩的女性形象系列。她们有相似或相近的性情、心态、遭际、命运，大都是孤儿寡女并游荡在异乡。她们义无反顾地冲破樊笼，走出家门，奋力抗争。这个形象系统清晰地画出了半个世纪以来中国女性从自救到自立的人生轨迹。

The figures with extreme artistic charm in Ding Ling's fictions are a group of young women appearing repeatedly. These young women, such as Meng Ke (a leading character in Ding Ling's first novel H Meng Ke' published in 1927), Du Wan-clang (a leading character in another novel 'Du Wan-clang' published in 1979), form a series of manifold female figures. They have similar temperament, thought, lot and destiny. Many of them are orphan girls wandering about a strange land. They left home without hesitation, tried to do their best to rebel (revolt). The series of figures clearly shows Chinese women's development from self-salvation to self support for half a centry.