摘要
文章阐述了瓦克坦戈夫在俄国戏剧受欧洲反现实主义思潮影响时,如何从一个被斯坦尼称赞的学生逐步转向梅耶荷德的过程,以及他接受两人影响所产生的意义。
Vakhtangov had once been a disciple and favorite of Stanislavsky, but, when Russian realism was under the chal lenge of Kuropean anti-realism, he gradually turned to follow Meyerhold. This thesis analyzes the influences of the two masters' theory and practice on Vakhtangov' s career as a theater artist.
出处
《戏剧艺术》
CSSCI
北大核心
1996年第4期36-43,共8页
Theatre Arts