摘要
有唐一代,敦煌壁画取得了辉煌灿烂的成就,特别是那些规模宏大,生动而又刻划细腻的经变画,给人留下了深刻的印象。相比之下,故事画并不十分引人注目,我们知道,故事画在敦煌早期石窟中是较为流行的题材,特别是北周至隋代,故事画种类和数量空前增多,艺术形式发展成熟,形成故事画的繁荣局面。进入唐代后,随着经变画的兴起,故事画大大减少,洞窟里常常通壁绘制巨型经变画,表现佛国净土世界歌舞升平,
There are four kinds of expressing froms among illstration of Tang Dynasty freseoes in Mogao Grottoes. i. e. First. the symmetry decorate composition. Second. chain of. rings form. Third. full view form. Fourth. screen pictures. The drawer chose the composition of illstrations. based on the neces(?) of frescoesidecorate. in whole cave, and in them the arts achievements of (?) Stration have been reflected. At the same time. it is special on skill of draw and clour of these pictures, and refer to a model which can be followed for the later development of drawing technique.
出处
《敦煌研究》
CSSCI
北大核心
1991年第2期67-74,119-128,共11页
Dunhuang Research